What Gear Do We Use?
Microphones/DI’s
-Rode NT1-A
-Grove Tubes GT60
-MXL 2001 Large Diaphragm (2)
-MXL 603 Medium Diaphragm Condensers (2)
-Audio Technica 2021 Small Diaphram Condensors (2)
-Ramsa Small Diaphragm Clip Condensers (4)
-Crown PZM
-SM 57’s (4)
-Shure Beta 52
-Audix D6
-Audix D4
-Audix D2 (2)
-Audix I5
-SM 58’s (3)
-SM 48
-Sennheiser 835
-Sennheiser EW 135-G2 Wireless Handheld
-Rapco Passive DI
-RMS VDB-1 Passive DI (2)
Live Gear
-Allen and Heath GL2200 32 Channel Mixer
-Yamaha 12/2 Mixer
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-Crown Microtech 1200 Power Amp
-Crown CE1000 Power Amp
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-Carvin 2×15 Full Range Speakers (2)
-Yamaha BR12m Monitors (2)
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-12×4 100′ Snake
-Alesis 3630 Compressor/Gate
-DOD 31band Equalizer
-DBX 231 Equalizer
-Rane 3-way Stereo/6-way Mono Crossover
-Aviom A16T Transmitter 16 channel monitor mixing
-Aviom A16 Mixer (3)
-Furman 8L Power Conditioner (2)
18 track digital recording
Hardware
-Digi002 Digital Mixer
-Motu 828 MKII
-Presonus Firepod
-Presonus DigiMax LT 8 Channel Preamp Digital I/O (2)
-Mbox 2
-M-Audio Mobile Pre
-M-Audio Audio Buddy
Software
-Pro Tools 7LE
-Nuendo
-Cubase
-Ableton
-Waves Diamond Plug-in Bundle
Computers
-17” Imac G5 1.2 400g HD 2g Ram
-12” Powerbook G4 .867 100g HD 1.12g Ram (2)
-15” ABS Laptop 1.6 40g HD 2g Ram
Monitors/Headphones
-Yamaha MSP 5 Monitors
-Beyerdynamic DT 770
-Sony MDR V700
-Sony MDR 7506
-Sennheiser HD280
-Grado SR 60
-AKG 240
-Behringer Powerplay Pro XL Headphone Amp
Backline
-1968 Fender Bandmaster